Hunkering Down between Covers

For me, the most unwelcome sign that marks the first day of when Old Man Winter comes to stay is not the actual sight of the snow, nor any characteristic of the chill in the air. It's from something like being awoken in the morning, like I was this morning, to the wretched sound coming from outside of ice being chipped, and scraped off from encrusted windshields in the parking lot or from the sidewalks, especially when the snow follows a soaking rain, like it did last night. I can detect other's frustration, loathing, and negativity surrounding the ordeal by the force and rhythm used with their scraping tools along these slick and pebbly surfaces as they are smacked with the disappointing reality of having to chisel and rasp away at their ice-encased vehicles just to get into them. It is a sound representing things grinding down to a bleak despair for most, in knowing just how much extra effort and energy it takes to just move around and do even simple tasks for the next few months.

From that noise alone, even while my eyes are closed in the dark of my room, with my curtains drawn, I can readily form a perfectly vivid and exact picture in my mind as to what the actual scene outside looks like as to: how much snow fell, where it blew in and accumulated, what its exact texture and moisture composition is, and just how bad the conditions of the roads and streets are, all before I even try to move out of bed . . . which by then, I don't want to do. I wish I could impress you with some intricate and elegant Sherlock Holmes-ian style and manner of deduction for determining how all this happens precognitively, but it really doesn't involve anything that intellectually sophisticated. It's an instinct that one eventually gets after living here in this particular region, as a Canadian; enduring too many years of long harsh miserable winters. One innately develops an instinct for sensing accurately how inclement the weather gets out there without even making direct contact with it; with even the most minimal of sensory input. It becomes a feature of the mind that one doesn't want to admit or appreciate having: since once this instinct is triggered, a long depression tends to follow.


A small sample of some of the other covers that I like slip
 between other than the ones on my bed. If the books in my
entire collection of digital editions were physical hardcopies,
they would make every shelf in this place buckle and break. 

After getting up and glancing outside out the window to discover how accurate and correct my suspicions were, I sadly stowed my bike away, and started rummaging around my storage spaces for my woollies, skiing equipment, and block heater cords. I also uncovered and sorted out all the remaining physical bits of reading material I own. It reminds me that I've been going into a slump with that too: acquiring and reading the "right" books for my personal hardcopy library. There are books that can be read over and left hidden away as digital copies, and others that somehow merit some distinction of what I'd like to incorporate as concrete physical features in my dominion: ones that are true representations and summations of my personal character and identity. E-reader apps and tablets are wonderful things, which I will always use, but they lack the ability to project an air of your true passions and interests in an organic fashion and fusion into your living space that books with actual physical covers do. It's kind of the same way for people who collect album covers/sleeves to reflect their musical/artistic tastes, even though current digital audio technology has left analog LP records in the dust in terms of sound fidelity ages ago. It's sentimentality: something in people who need, or long for, a physical object or icon to make abstract things of thought and memory coalesce together.

Here is a small list of some of the hardcopies of fiction and non-fiction I'd proudly have in my home library that I have yet to collect:

• The Complete Adventures of Sherlock Holmes - Sir Arthur Conan Doyle
• The Complete Works of H.G. Wells
• Moonwalking with Einstein - Joshua Foer
• A Clockwork Orange - Antony Burgess
• Gulliver's Travels - Johnathan Swift
• Outliers - Malcolm Gladwell
• Heart of Darkness - Joseph Conrad
• The Alchemist - Paulo Coello
• Life of Pi - Yann Martel (I had one, but Ella chewed it to pieces as a puppy. . . BAD GIRL!)*
• Brave New World - Aldous Huxley
• Mother Tongue - Bill Bryson
• Seeing Farther - Bill Bryson
• Physics of the Future - Michio Kaku
• Guns, Germs, and Steel - Jared Diamond
• The Origin of the Species - Charles Darwin

*- Perhaps another advantage to having an e-reader. . . unless your dog starts to chew on that too.